I’ve been recently named part of a “roving and ideologically motivated band of slime artists.” Please! I’m blushing: an artist? My prose has seldom been considered more than “craftmanlike” and now I’ve been declared an artist! Wait until I get to tell the rest of the roving band! In the same post my “expertise” was put into scare quotes, just so you’d know that I’m a poseur about these things. I earned these honorifics because of some comments I made on Twitter regarding a review of a book by Nathaniel Weyl published by economist Gordon Tullock. , Yes, this post is about a blog entry about a Twitter thread about a book review about a book published a half-century ago. Of such molehills in a teapot the internet is made. Not that the original poster needs my help.
That being said, this little dustup can teach us something about how scientific racism flourishes long after it should have been laid to rest. First, speaking in a scientific voice provides cover for ideas that would otherwise never survive in the public sphere. William F. Buckley often bragged about forbidding his writers to also write for the racist and antisemitic American Mercury. Yet, Weyl was a regular contributor to the equally racist and antisemitic Mankind Quarterly (MQ) and was never booted from the pages of National Review. Perhaps because MQ purported to be a scientific, not political, journal. Second scientific racists could be satisfied with playing to draw. In other words, rather than proving certain races were inferior, they could simply end by calling the question open, demanding more research and thus keep doubt in the public’s mind about racial equality.